Cozette Russell
Cozette Russell

Cozette Russell (b. 1978, Exeter, New Hampshire) lives in Lee, New Hampshire, where she works from a barn studio near the land where she grew up. Working primarily in photography and collage, Russell explores the complexities of self through multiplicity. Her process often begins with a single exposure, which she may cut, layer, print, project, paint, and rephotograph. As she alters and rephotographs the image, one form becomes another, suggesting endless iterations. Her approach is rooted in a feminist tradition that understands photographs as spaces of intervention and refusal. Bricks tied with twine recur in her compositions and sometimes become sculptural elements. She also hand-embosses braille into some of her photographs using a slate and stylus. Her work spans processes from silkscreen and risograph to inkjet and gelatin-silver printing.

Russell uses self-portraiture and the body as material to consider ecology, disability, and care. She investigates a dialogue with the land where she grew up, drawing on the Welsh phrase y filltir sgwâr (the square mile), which describes how the land where one is born shapes a person's identity. Russell also makes work about accessibility, drawing on her experience of raising her son, who has physical and intellectual disabilities, and on her own autoimmune diseases, which she explores through collage, ideas of autoimmunity, and her body's inability to recognize itself.

Russell’s films and photographs have shown at various galleries and museums including SFMOMA, the Wexner Center for the Arts, NADA Curated, Harvard University, the University of New England, the University of New Hampshire, Antioch College, and A.I.R. Gallery in Brooklyn, New York, where she is a member. 

cozetterussell@gmail.com
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Flag piece (summer), 2026, 31x42 in.
Untitled (summer studio/winter studio II), 2025, archival photograph, bricks, twine, 54.5x38.5x6 in.
photo credit: Charles Purvis



Salt, Sulfur, Mercury group exhibition at A.I.R. Gallery, Brooklyn, NY 2026
photo credit: Matthew Sherman



The Wilds v.2, 2026, 140 x 102 in. risograph 
       
The Wilds v.2 (detail)


Untitled (summer studio/winter studio 3), 2026, 50x30.5x6 in.
Still Life with J’s AFO Braces, 2025, Archival photograph, maple frame, steel 50.5 x 43.5 x 38.5 in.


Untitled (summer studio/winter studio) 
2023, 47 x 34 x 6 inches. 
framed archival print photograph (no glass), bricks, and twine
Edition of 2 + 2 AP

“Letters occupy an anticipatory temporality. The letter writer extrapolates the future of their recipient, looking ahead from a present that is already past. The letter’s uncanny entwinement of temporal frames is insistent in Cozette Russell’s Untitled (summer studio/winter studio) (2023), a photographic installation in which two stacks of two bricks support a collaged photo print. Visible in the print is an identical doubled image of a woman, blurred by motion, who appears to fall, twice, and each time to catch herself on hands and knees. Drawing on the essential latency of photography—which parallels that of the epistolary form—Russell’s work is like a hall of mirrors that divides and deepens time, reaching simultaneously into a past twice removed through layers of film and into a possibility proposed by the bricks and their gravity.“

- Nicole Kaack, Curator, “Write me letters” you write to me
A.I.R. Gallery, June 2024



Untitled (summer studio/winter studio), 2024, archival photograph, 47 x 34 x 6 in. A.I.R. Gallery, photo credit: Matthew Sherman

Flux(us), group exhibition, 92 Seattle, Harvard University, photo credit: Yulia Spiridonova

Untitled (sequence 01), 2025, 70 x 94 in. Archival photographs
Documentation from Upstate Art Weekend 2025, The Post Office, Port Ewen, NY Photo credit: Charles Purvis
Twenty-four photographs, paneled in a grid, show a meadow and a hand moving a rope—or sometimes just the rope itself. In this landscape, the rope acts as an extension of the body. The vegetation is dense and unruly.

The hand pulls, throws, drags the rope, or lets it fall slack. The camera captures the rope always mid-gesture. There is no resolution, only a restless ongoingness, freeing oneself through the rhythm of the task.


Murmur Mother v. 1-5.1
(with hand punched braille) 2024, archival prints with hand punched braille in
wooden frames, 13.5 x 12 x 1 in. Edition of 5 + 3 AP



Image (l) Murmur Mother v. 3,  2024,  framed archival print photograph with hand-punched braille (no glass)  33 x 40 x 3 in. Edition of 2 + 2 AP
Image (r) Installation view, Murmur Mother v. 3  A.I.R. Gallery, Photo credit: Matthew Sherman

1.
stars slept over
murmur mother
mountains still
murmur mother
sun warmed rocks
murmur mother
enveloped earth
murmur mother
scrubby pinyon trees
murmur mother
vast land
murmur mother
lightness
murmur mother
rainy snowy days
murmur mother
textures of bark
murmur mother
2.
soft peeling skin
murmur mother
double trunked birch
murmur mother
without language
murmur mother
complicated history
murmur mother
kaleidoscope tilt
murmur mother
refuge and barrier
murmur mother
water surrenders
murmur mother
tree roots rise
murmur mother
unforgiving thud
murmur mother
3. 
stumble forward
murmur mother
shivers happiness
murmur mother
flapping hands
murmur mother
loose soft stones
murmur mother
labor nurses
murmur mother
stained ceiling 
murmur mother
body betrayed
murmur mother
blood rush
murmur mother
blood clot
murmur mother
4. 
orchard blooms
murmur mother
feel music
murmur mother
plays no note
murmur mother
holds arms up
murmur mother
hold warmth close
murmur mother
mammals
murmur mother
lick and groom
murmur mother
sway and squeeze
murmur mother
autumn to winter
murmur mother
5.
stillness listen
murmur mother
darkness creeps
murmur mother
breathe whisper
murmur mother
love grows
murmur mother
arbor of trees 
murmur mother
dragonflies swoop
murmur mother
upside down
murmur mother
all is beauty
murmur mother
shadows grow
murmur mothe